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Foxes Q&A #2 -Work Volumes

Our foxes have returned from their vacations, and with summer training, the inquiry continues.

In “Foxes Ask #2,” we will address three more pressing questions that arise early in the training program.

Why is there an endurance component even though my sport (goalkeeping, volleyball, football lineman) statistically does not require much endurance?

This is essentially the same as asking, “If I play with a ball, why do athletic training sessions take place without the ball?” In other words, the nature of the questioner is to seek absolute specificity in all their actions; but the perceptive questioner surely forgets an important fact: if specificity is the key to all improvement, why not simply play the sport more often? After all, there is nothing more specific than the sport itself.

The answer, of course, is that this is not how things work. Since it is impossible to improve components without “dissecting” them — removing them from the whole before reassembling them later — it is impossible to train one component without touching upon another. Let us explain:

It is well known that behind every motor action performed with ease, there must be thousands of hours of training or thousands of repetitions that caused the neural pathways responsible for the complexity of that movement to be saturated with signals and developed sufficiently to function independently of the brain’s long-duration processing centers.

In musical instruments, for example, any decent musician can “learn” the notes of any song within less than an hour; but to play that song effortlessly during a performance requires many hours of saturating the neuromotor system — which initially seems contradictory to the very ability to learn the notes.

In athletics, it is similar. On one hand, we have scientific principles in the form of energy reserves “lacking chemical or cardio-respiratory endurance” suitable for volleyball, football, high jump, or a 100-meter sprint. On the other hand, there is the undeniable need for the athlete to perform enough volume in those “endurance-lacking” movements to lead to profound neural changes.

It can already be seen that in order for that “pure endurance component” to be properly instilled in the heart and soul of the athlete, we must lean toward “endurance” or, more accurately, “work volume fitness.”

It’s possible to achieve strong specific contractions through electrical stimulation, so why train and take risks at all?

For example, it is possible to teach the technique of jumping from two feet in approximately half an hour of discussion and demonstrations with breaks of about two minutes between maximal efforts, as science “requires.” However, every jumper knows that in order to jump naturally on a regular and reliable basis (minimizing “bad days” in performance), it is necessary to perform very high volumes of jumps — often far beyond what kinesiological science has researched as “recommended.”

It is known that Olympic 100-meter runners train extensively in the 300 and 400-meter ranges — distances that require completely different chemical components than the 100 meters from which they earn their living. So why? Why not focus on 20 to 120 meters to maintain specificity?

The answer: to create the ability to endure specific training more easily without reaching overtraining, thereby leading to motor improvements similar to those in musical instruments.

A goalkeeper, for example, needs to create an optimal state where their neural response to visual stimuli is accompanied by appropriate athletic movement ability. This resembles an MMA fighter who must respond correctly to stimuli beyond their control. If that fighter were to train in a “specific” manner, the sports scientist would tell them to perform sets of six dodges from punches, rest for five minutes, and do this twice weekly to avoid “overtraining.”

But Kung Fu fighters in monasteries perform thousands of repetitions daily, in various forms and intensities, to create effortless playing from the musical instrument called the human body.

Similarly, a goalkeeper will need the capacity to perform specific training thousands of times without reaching overtraining. Moreover, since when did we start succumbing to overtraining? Who declared it impossible to train the ability to avoid overtraining? We only hear about workloads and how no one should exceed them. Since when have we, as coaches, become so defeatist? Where have we failed in our understanding of the human body that we no longer believe it possible to train the ability to avoid overtraining by building work volume?

Of course, there are also chemical reasons why training over a longer distance might delay the slowdown in the shorter distance; but this proves the same point — there is no such thing as truly “specific training.” It is a defeatist term that aims to strip any significance from the artistic sophistication in training programs, a kind of ideological rigidity in the sports industry, attempting — like oppressive regimes — to unify all individual thoughts into one thought accepted by the ruler, thus creating a “beautiful harmony.” — Not in the school of the Red Fox.

Why does much of the program include substantial loss of control in the form of slides, falls, and rolls?

At the Red Fox, we have a saying: “the control within the lack of control” — meaning we actively seek a fundamental element of lack of control in our fast athletic movements, and we “ride” upon it.

Just as a horse rider is measured by their “control” over the horse, which is external to them, an athlete is measured by their “control” over the lack of control, which in sports is divided into two parts:

  1. The art of responding to random stimuli over which the athlete has no control (for example, defense in soccer)
  2. Any biomechanical tactic that requires the active use of body weight for its success (such as sprint starts or changing direction).

In point one, the “control within the lack of control” can be described by the ease with which the athlete responds to stimuli beyond their control, such as reacting to a teammate’s loss of the ball. On one hand, the athlete has no control over the mistake made by their teammate; but on the other hand, they must respond responsibly, technically, and gracefully to the lack of control that was previously created.

Any response generated from such a surprise situation will inevitably be “hurried” and lead the untrained athlete to panic mechanics and a freeze response, as is often observed on soccer fields. Therefore, we must insist that within all the changes of direction and random commands often seen in capability development training, the athlete uses controlled technique, grace, and not panic and lack of control. This requires substantial lubrication, as the parts of the brain responsible for guiding the body become stuck in the complex gears of the random nature of the game; as coaches, we need to lubricate them so they can perform effectively.

In point two, we are discussing physical lack of control in the literal sense, as it manifests in the technique of sprint starts, changes of direction, or jumping.

For example, to sprint from zero km/h and accelerate quickly, there is a need to leverage body weight — including the direction of the push itself — toward a target that is not in the immediate vicinity of the body (like when trying to jump over a puddle, you must fully commit to target B, which is not target A; any jump that is not intended to reach point B will lead to failure and getting wet). In other words, in the art of the first step, the one who aims for step B without being connected in any way to step A will succeed over the one who wants each step to be connected to the previous one due to fear of commitment.

At the start, the goal should be a complete detachment from point A and a commitment to the “unknown” that is point B, every step of the way. Voluntary loss of control, therefore, is essential, and on top of that, control in the form of technique — “how not to crash.”
Throwing a medicine ball with a fall teaches the brain not to fear losing control of stability but instead to use deliberate technique on top of the intended lack of control. Most untrained athletes will never be able to put themselves in the situation depicted above due to the “fear of falling,” thus limiting themselves to techniques that have no place on the fast-paced field.

This sometimes expresses a similar inner world, where the athlete has a fear of “letting go” of their past and remaining suspended in midair, between two tall buildings — with faith that they will succeed. The soul of such an athlete will refuse to detach from the first building lest they “fall,” thus perpetuating the limbo in which they live: presenting a yearning to advance to the second building while simultaneously fearing the detachment from building A.

This is not, of course, a recommendation to jump between buildings; rather, it is a way to illustrate mentally the pain of breaking the chains of the past. Such a struggle can also manifest physically when training high-intensity athletic abilities, as seen in the images above.

“Did you do your prehab drills? Do them; it will prevent injuries for you.”

“Did you strengthen the gluteus medius? Strengthen it; it will prevent knee injuries.”

“Work on your groin and lower abdomen; it will prevent injuries in the groin and lower abdomen.”

Again, correct thinking but in the opposite direction. This is the same negative perspective on training that we saw with the issue of workloads — “Be careful not to overtrain.”

Why the constant focus on the negative micro aspects of which muscle is at risk of injury, which training is dangerous due to its volume, and which external rotation of the shoulder will prevent the next dislocation?

The painstaking work called injury rehabilitation and imparting the knowledge to return to past performance is the sole responsibility of the physiotherapist. Since when should fitness coaches waste half an hour of precious training time performing glute muscle activations and neural responsiveness in the form of footwork on a half-ball?

The role of a development coach is to instill the correct mechanics for each athlete individually, with the hope that this alone will bring about “passive injury prevention” that operates twenty-four hours a day simply by virtue of the fact that the athlete moves in sync with their ability and body form through the mechanics learned from their coach.

Active injury prevention in the form of isolating painful areas in the body is again a repulsive and negative effort that prevents the coach and the athlete from reaching new heights and keeps them in the “safe zone” — the ways of the past and the insurance policies that will keep you in Division B or Division A forever. The main thing is that you are “safe.”

We have often observed beginner athletes preoccupied with Kinesio tape and slow eccentric or isometric contractions in the gym on a regular basis, claiming they are “fighting injuries and acquiring insurance.” These athletes almost always end up injured; and to make matters worse, they are also significantly slower than “free” athletes who are not mentally bound to the world of orthopedics twenty-four hours a day.

It is not that we never perform an exercise here and there borrowed from our beloved physiotherapists’ dictionary — because we do! Especially during warm-ups or breaks.

But more in the spirit of things, we do not bandage an area we suspect might get injured because we are not negative people; we believe that technique and movements are truth and, in themselves, reduce the risk of biomechanical injuries.

In fact, any athlete who arrives at Fox training bandaged without a medical reason — whether with a bandage or “Kinesio tape” — is immediately required to release this defeatist behavior, remove the mental training wheels they created for themselves with bandages and armor, and meet the natural athletic world they are destined to master.

“But what if I get injured? I need the bandages” is exactly like saying, “But what if I fall?” when coming to ride a bicycle for the first time.

Go home, kid; you’re not ready to be a winner yet.